12 September 2011 § 9 Comments
Someone else’s storm
The oak is full of surf-sounds.
The poplars hiss and twist
Branches bent like umbrellas
Twigs, leaves, small branches litter
The verge and gutter,
Pigeons hurtle over the wood
Like artillery shells:
Even the drowsy river
Is stippled and disturbed,
Raked by cat’s-paws.
Clouds big as counties
Shutter the sun, sending shadows
Running like hounds over the plough
And under it all
A deep-drone fugue
For Aeolian harp
Played on gates and power lines.
The land shakes, waits,
Wondering what will break upon it
As force and fury tear across
Three thousand miles of ocean.
And here we are
Caught up again
In someone else’s storm.
14 April 2011 § 6 Comments
The night watch
Walking the woods as twilight slips
Like a poacher between the fading trees
My every step sets off some new alarm:
A blackbird chinking like a mason’s chisel;
A stream of shrill invective
Pouring from an unseen wren, blazing with a courage
A hundred times her size;
Pigeons clattering from the topmost branches
In a fusillade of frantic wings;
Jays and magpies rasping threats, while the silly yaffle
Hides behind his nervous laugh.
The watchword is passing through the wood
Like a creeping barrage. I advance behind it,
All element of surprise long gone
And with it any hope of gaining ground.
And as I pass back into the world
Of cars and curses, litter and the ugly shouts
Of boys and girls abroad too late, grown up too soon,
The darkening wood still rings with song:
The all-clear, and a sweet lament
For what the world once was
And all that we have lost.
13 April 2011 § 6 Comments
Pass in under the wood’s eaves
And take the right fork past the tall lone ash
With the hole high up where the nuthatch hides.
Four steps down to the silted stream
Its banks revetted with iron roots
Like veins in the back of an old man’s hand.
Five back up to the field corner
And a sinuous trail, just shoulder-wide,
A winterbourne of mud between low branches
That pluck at clothes like nagging children.
Four ways shake hands in the trampled clearing;
Follow the one that rounds the rim
Of the deep pit dug by long-dead brick-makers.
Into the coppice, over twin ditches
The hunting-dog hurdles in two long leaps.
Past the great fallen tree, worm-holed, beetle-bored,
And weave through the birches down in the dip.
Hug the wood’s edge where it fronts the field
Home to rabbits and cows in the warmth of the day
And the fox in the evening. Up the short steep slope,
Sandy, seamed with burrows, to a broad, level ride
Under spreading oaks, where the bluebell scent
Hangs thick as smoke. Pause in a soaring hornbeam hall
High as a church, with a floor of beaten earth. Call the dog.
Over a young tree, still bravely bursting into leaf
Though laid low by a curl of wind a dozen nights ago.
Down the slope where the squirrels sprint
For safety in the tangled trees. Three steps down
To the sleeper bridge, then the last drag up
To the wood’s front door. Close it behind you.
Keep the key.
I got the idea for this poem from the wonderful ‘Britannia‘ atlas of England and Wales – the world’s first-ever nationwide road map, published by Scottish polymath John Ogilby in 1645. It consists of a series of 100 strip maps, drawn at the then-innovative scale of one inch to the mile, each describing a section of road, such as ‘London-Bromley-Sevenoaks-Tonbridge-Rye’ (plate 31) or ‘Oxford-Buckingham-Bedford-Cambridge’ (plate 80). It bridges the gap between modern cartography and the medieval means of navigating across country, which basically involved following directions from one town to the furthest extent of local knowledge, then asking again.
For my poem, I simply followed Ogilby’s example and wrote notes as I walked round our nearby woods. (Incidentally, Ogilby claimed to have surveyed over 26,000 miles of roads in order to compile his atlas, measuring distances using the intriguingly-named ‘Wheel Dimensurator’; about 7,500 miles’-worth appeared in the final version) Sadly, I can’t draw, so I’ve created a ‘strip map in words’, which I hope gives some flavour of what you might find if you ever chance upon our corner of the country.
12 April 2011 § 8 Comments
Life and living
I know how it looks:
My riding the roads and
Walking the woods
My chair growing cold
Keyboard quiet, screen boarded-up
Dust settling slowly on the desk.
Putting others’ words on paper
Like hammering bent, rusty nails
Into a rotten, splintered board
Is just a job.
The real work is here,
Among the tongue-tied trees
And voiceless flowers;
The wind grows weary
Of whispering to itself,
And the woods are bursting
To share old secrets
So long held in.
Must be taken down,
Absorbed, distilled, translated.
A life’s labour,
Without pay or prospects,
No kind of living;
And the only true life.
8 April 2011 § 10 Comments
The flowers of the field
Violet and Primrose
In their bright one-pieces
Lie in the sun
And nudge each other, pitying
Poor plain Windflower,
Who, for all her basking, stays
As white as writing paper all season long,
And giggle at tall green
With his strong stems, thick leaves
And fair head of white flowers,
As shy ragged Robin
Blushes in his tattered coat.
May and Cherry
Braid themselves with blossoms
Bridal-white; and, trembling, wonder
If Winter will return
To ravish them
And steal their unborn fruits.
While at their feet
The gentle hand of Spring
Tailor-tacks a pair of orange tips
To a lady’s smock.
“No very great matter in the ditty”, as Touchstone said; it’s Friday, and far too lovely a day to be writing anything very serious.
7 April 2011 § 16 Comments
Call it a wood
Call it a wood
If you will,
But this is my cathedral;
A greater glory captured in a single hornbeam bud
Or papery anemone
Than any Caen stone vaulting
Or stained-glass acreage.
And this is my study;
These living trees inspire more lines
Than the dead wood of my desk.
And this is my schoolroom;
These mute tutors hold the wisdom
Of the earth, and every lesson worth the learning
Of life and death, of failing and returning.
And this is my hospital;
In these soft scents and shaded paths
Lie sovereign remedies
For all my pains of heart and mind.
And this is my sanctuary;
The fears that stalk my nights and days
Dare not follow when I claim
Protection beneath this canopy.
And this is my stronghold;
A bulwark against the madness,
The ugliness, the noise
Of all that lies outside:
Call that the world.
24 March 2011 § 6 Comments
Fickle Summer picked up her skirts
And took a short, unscheduled break,
Lending the farm to Autumn
Who, having no truck with harvesting,
Drove us from the fields
With a thin and ruinous drizzle.
A snapped belt, sheared bolt or burst hydraulic hose
Deep in the combine’s vitals
Would leave the big machine
Bellied like a bog-bound mammoth,
Spilling its guts in gouts of oil
Across the gasping stubble.
As such times
We lads, not seeking or permitted
To wait out the delay with idle hands
Would fill the old blue van with plastic sacks
Then bundle in ourselves
And rattle to some distant field
To hunt out rogues: the wild oats
Whose tasselled heads rose, mockingly,
Above the standing crop.
We’d deploy along the headland, sacks in hand,
And take a tramline each, walking steady
Like policemen on a forensic sweep,
Stopping to pull the rogues up, roots and all
And bag them for the bonfire. To relieve
The tedium, we’d tell the green boys, out from town,
Them ol’ rogues’ll hear you comin’, see,
And bein’ woild, they’ll duck down quick
And ‘ide till you’ve gone boi,
Then pop’en up again, so moind you watch ‘em.
We learned to curse those wily weeds
And the gaunt, grey man who sent us there:
Four-pound-fifty seemed so little
For an hour that felt so long,
And all the while we knew
The rogues would not be vanquished
And we’d be back to pull more out next year.
A hopeless task, but honest, and somehow
No crazier than the work I’m doing now.
Rogue n a plant that falls short of a standard, or is of a different type from the rest of the crop; vt to eliminate rogues or inferior plants from (a crop, etc)
Roguing is the traditional way of keeping the harvest help occupied when inclement weather or the inevitable mechanical catastrophes bring the main activity to a halt. I know weeding a fifty-acre wheatfield by hand sounds daft, but compared to some of the so-called ‘proper’ jobs I’ve been given since my far-off student days, it seems like a sensible use of time.
24 March 2011 § 6 Comments
Towards the grey stone house
Like a battlefield surgeon coming down the line
Or a man who, shaving hastily, contrived to nick
An artery in his neck.
The warm red rain has spattered his face,
Soaked his cap and shirt-collar,
Stained overalls and hands like some apprentice butcher’s.
This was a task he should have tackled
Back when they were calves,
The horns mere buds, and their removal
No more than a touch of glowing iron,
A brief sharp stink of burning hair –
A job for life in a minute’s easy work.
Now, left so late, it took three men
And a whole sodding day of trodden feet,
Shouting, straining, geysers of muck,
Maddened beasts slamming on sleepers and steel;
An improvised corrida, short on finesse,
Long on blood.
The time, the hurt, the fat fee to the sweating vet;
Still, it had to be done:
Seeing them swaggering into the yard,
Cocksure with their weaponed heads,
There was no question. The wounds, torn wire
And their seigneurial strutting at the trough
Left him no choice
But the crush, the needle and the blade. Yet
He cannot say who won this one. He’s left
Slumped and blasted, arms hanging like empty sleeves; the beasts
Bewildered, polls still stunned
By adrenaline local and the shock of shears.
All change in the herd, he thinks:
A social shuffling, a shift in power.
A bullet bitten, the right thing done.
But as he stumbles in to wash and eat
He shakes his head. And does not smile.
15 March 2011 § 4 Comments
A staggering feat
‘Jumps like a stag,’
The ads for hunters
In the Horse & Hound declare;
The familiar, forgivable
Hyperbole of horsemen;
Count your fingers after you shake hands.
Caveat emptor. Let the buyer beware.
For no horse I sat in twenty years
Could match the handsome cocoa-coated
Four-point buck I flushed today:
Straight over a breast-high hawthorn hedge
Off a two-foot verge from a standing leap;
Then popped the sheep-net fence beyond
And blithely bounced away.
For no horse living ever knew
The tearing fear of running wild
From shining monsters borne on wheels
And finding ancient bolt-ways blocked
By thorn and wire and tarmac road.
To jump so high perhaps requires Man to be
Not on your back, but at your heels.