Breakaway

25 July 2011 § 8 Comments

Breaking away

Today
This sunny Sunday lane
Is our own private
Tour parcours
Complete with mimicked Phil-and-Paul
To lend us greater speed:

“And now
The leader
In the Best Young Rider competition
Makes the move
On the inside –

The gap’s opening up –

And the champion
Must respond to this:

He’s digging deep

Let’s not forget
He’s the oldest man
In the race,
So you’ve got to ask;
Has he got the legs
To counter the attack
And close it down
Or are we about to see
A new era ushered in?”

Of course
If I chose
I could go
Straight over the top of her;

But, smiling, I permit
Her cheeky breakaway to succeed
And sit on her wheel;
Training for the big attacks
And moves I cannot answer
In the stages still to come,
Knowing that one day I’ll have to watch her
Head up the road alone.

Written after yesterday’s ride with my 10-year-old daughter, who seems to have inherited my competitive streak on the bike…my fault for encouraging her to watch Le Tour, I guess. For those who haven’t been glued to ITV4 or SKY for the past three weeks, ‘Phil-and-Paul’ are the dynamic commentary duo of Phil Liggett and Paul Sherwen, who have been the ‘voices’ of cycling to British fans for over 30 years.

Notes to self

10 March 2011 § 8 Comments

Silver bullet

My mother
Never understood how I
Could play this thing
When I couldn’t see
What my hands were doing, or
Which finger pressed which key.

My father
Couldn’t fathom embouchure;
And though he tried
He could not begin
To see the simple physics
Of blowing over, and not in.

My classmates
All clamoured for their turn
Then wondered why
They could not make it speak
Beyond a hollow, windy hissing
Or sudden, scalded shriek.

And I was grateful
For their foolish questions
Which moved my mind
From darker, deeper fears
That occupied it then, and still
Endure despite the years.

And even now
The asinine demands of others
Fade into forgetfulness
Whenever I take up this length
Of slender silver, close my eyes,
Reach back in time, and breathe.

On one level, the flute is a very simple instrument: you only play one note at a time (no chords like the guitar, or double-stopping like the fiddle) and only ever in the treble clef (it doesn’t go lower than middle C). At the same time,  many people find it fiendishly difficult, or even impossible, to produce a single note (the idea is to blow across the hole, rather than into it). And while it’s sweet and soulful, it can also be very powerful, cutting through the sound around it like a silver stiletto.

I’ve been a flute-player on and off since I was nine years old. After being ‘off’ for most of my thirties, I’m now playing regularly again, as precisely half the flute section in our local community orchestra. We’re a small ensemble, mostly ‘of an age’ and pretty rusty, but through our weekly rehearsals, I’ve rediscovered the sheer joy of making music again.

Although the ol’ brain and fingers don’t work together quite so well as they once did, I’ve surprised myself with how much comes back to me when I stop trying too hard.

Night vision

13 February 2011 § 6 Comments

Night Vision

Beneath a waxing moon
And Orion like seven silver nails
Hammered into heaven,
The tawny owls’ hollow fluting,
Lonely as train whistles in the dark,
Reached me from the shadowed woods
And I smiled:
As a child
My bedtime prayer
Was for protection
From their forebears
Who haunted the beeches behind the house.
And I wished the new-hatched brood of terrors
Winging through my wide-eyed nights
Were so easily reduced
To harmless noises on the wind.

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